The Handmaiden (2016)

The Handmaiden, adapted from Sarah Waters' Fingersmith, masterfully transposes the 19th-century London setting to 1930s Japanese-occupied Korea, creating a rich and visually stunning historical backdrop. Told in three intricately woven chapters, the film unfolds with gripping suspense, emotional depth, and narrative twists that keep viewers fully engaged. With award-winning cinematography, meticulous artistic direction, and powerful performances—especially from debut actress Kim Tae Ri—The Handmaiden stands out as a bold, sensual, and unforgettable…

Talk about the best laid plans! This is a cracking, sexy, thriller set in Korea during the Japanese occupation of the 1930s. It centres around the charming, butter-wouldn't-melt "Sook-Hee" (Tae Ri Kim) who takes a job attending the wealthy "Lady Hideko" (Kim Min-hee). She lives on a grand estate with her cantankerous uncle "Kouzuki" (Cho Jin-woong) and is frankly rather low maintenance for her new maid. Pretty quickly, though, we begin to smell a rat! Is she what she seems, and what has the obviously duplicitous "Count" (Ha Jung-woo) got to do with…

In the circle of romance, deceive and defraud. Those who are into the world cinema, particularly the Korean, knows Park Chan-wook very well. But if you don't, then you must. His films are definitely for the grown ups. Like everybody else, my admiration for his work has started a decade ago with the film 'Oldboy'. He had tried his luck in Hollywood with 'Stoker'. Despite a good entertainer, it was criticised. I love Park Chan-wook doing hundred masterpieces like this in Korea than trying to do one in Hollywood. His ability to turn the good book into a…